Lanterns On The Lake - Tricks (Damu Remix)
Limited Edition remix 12”, Lanterns on the Lake - Low Tide
Released record store day 2012, on Bella Union.
Source: soundcloud.com
Lianne La Havas - Lost and Found (Maya Jane Coles Remix)
Source: xlr8r.com
Blue Foundation - Lost feat. Sara Savery (Sun Glitters Remix)
New remix by Sun Glitters for Blue Foundation. Available on their next Deluxe Album Edition In My Mind I Am Free. Stay tuned!
Source: soundcloud.com
Sufjan Stevens - Futile Devices (Shigeto Remix)
Original track taken from the 2010 album The Age of Adz (Asthmatic Kitty)
Source: soundcloud.com
Tycho - Dive (Keep Shelly in Athens Remix)
Source: xlr8r.com
My Best Fiend - Higher Palms (Young Montana? Remix)
super limited 7” on Warp
Source: soundcloud.com
Active Child - High Priestess (CFCF Remix)
CFCF remixing Active Child. Need we say more? Probably not, but lets dig deep here. The Montreal based CFCF adds a nice little touch of bass to the track with a splash of pan flute. Thats right your listening to the pan flute. The two up-and-comers were kind enough to give away the track for free.
Source: soundcloud.com
André Obin - The Arsonist
Frosty synth-wave material from Moodgadget regular Andre Obin. Integrating a techno production background with Depeche Mode-style songwriting values. Great stuff!
Source: moodgadget.com
Panda Bear - Alsatian Darn
The second of three limited edition 7” singles to be released by Panda Bear in the build-up to his new album Tomboy, this outing gives two more excellent reasons for get excited about what’s in-store on the much-anticipated Person Pitch follow-up. You Can Count On Me is a shimmeringly optimistic pop gem featuring the customary reverb-dappled wall-of-voices we’ve come to expect from Panda Bear’s records. Unusually, guitars feature heavily, providing an effects-heavy musical backdrop along with sparse, tropically-inclined beats and drifting excerpts of sampled dialogue. Alsatian Darn proves to be very special in its own right, taking on a more urgent, minor-key tone during the first half before really opening up for a towering final passage overrun with handclaps, yet more layered vocal hooks and Reich-ian synth repetitions.
Source: stayglued
